Paint Shop Pro Photo XI for Photographers Review

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Paint Shop Pro Photo XI for Photographers ReviewThis book has been a great help in explaining some of the things that can be done with the software. I never found anything from Corel to be this useful. I use this book to look up certain things as I need to, but I hope to some day find the time to go through it more carefully to enhance my understanding. Because I don't have a lot of time to spend just playing around with Paint Shop Pro, this book has been great in guiding me through an application. I'd recommend this to anyone who is interested in Paint Shop Pro.Paint Shop Pro Photo XI for Photographers OverviewLiterally stamped with the approval seal of Corel, this book is more than just a guide to the features of the software.So many books are aimed at only the introductory level, but this guide explores all the capabilities of Paint Shop Pro Photo XI for digital imaging.Achieve professional results with this complete and easy-to-follow guide to Corel's Paint Shop Pro Photo XI. Packed with a wide variety of real life workflow projects, eye-catching visuals and numerous tips and tricks, Paint Shop Pro Photo XI for Photographers gives you all the skills you need to create outstanding images. All the new features of Paint Shop Pro Photo XI are covered including Snapfire, Photo Organizer, Skin Smoother, Photo Time Machine and much more. Get the best from Camera Raw images, create high-quality web graphics and learn how to efficiently organize your ever-expanding collections of digital photographs! If you are an amateur digital photographer, web or graphic designer, and want to get stunning results with Paint Shop Pro, this Corel recommended guide is for you! 'This book is ideal for you whether you are new or well versed in the world of mega pixels. Enjoy!' Gage S. Lockhart, Technical Support Specialist, Corel Software Inc. Praise for the previous edition:"This beautifully illustrated book provides information and guidance on using Paint Shop Pro X from a photographer's perspective...Newcomers to Paint Shop should read the book in a linear manner, while others may wish to use the book more as a reference by sampling particular chapters...The book is very well written and organized." - HiTech Review, July/Aug. 2006 "If you have Paint Shop Pro and really want to use it to its fullest, you need this book. There are vert few quality books available for this program, and this one, published by Focal Press, is at the top of the list...This book is organized well by using color coded pages for easy access to the many chapters, quality images to illustrate technique instructions and results, and tutorials at the end of every chapter to put to use the information that was just explained." - Apogee Photo Magazine, August 2006 "If you're using Corel's Paint Shop Pro X for your digital darkroom work, you'll really appreciate this book...Beginners, as well as experienced, Paint Shop Pro X users will benefit from this well written, easy to understand book...Paint Shop Pro X for Photographers is well written, well organized and well illustrated, and that's more than enough to put it on your bookshelf." - Digital Photographer, Oct/Dec 2006* Get the best from your digital images and improve your workflow with top techniques from a creative industry pro * Gain the vital skills you need fast with step-by-step tutorials to help you learn every tool, feature and technique * Be inspired by more than 1500 beautiful, color images throughout the book and available for download from the online gallery at www.guide2psp.com

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Raw Workflow from Capture to Archives: A Complete Digital Photographer's Guide to Raw Imaging Review

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Raw Workflow from Capture to Archives: A Complete Digital Photographer's Guide to Raw Imaging ReviewWhen a digital camera takes a picture it saves the information in a digital file. This file may be processed by the camera for easier viewing or use. RAW is the name of the file format for unprocessed data. This RAW file is capable of more manipulation when transferred to a computer than a processed picture, like one in the JPG format. This allows a photographer to make the file look more like his or her vision.
This book offers guidance on using the raw format, starting with set up of the camera for saving a picture in RAW, through processing, to archiving the image. There are several books in print that explain how to use the popular Adobe Camera Raw (ACR) software, which is part of Photoshop and Photoshop Elements, for processing RAW files. But ACR is not the only software available for processing RAW files, even if it is the most prominent. Unlike other books, this volume takes a step back and looks at the range of software available for RAW processing including independent software like Capture One, Raw Shooter and Bibble, and camera manufacturers' software like Nikon Capture. The authors also consider related software, like Adobe Bridge and Extensis Portfolio, as well as some new software that takes a different approach to handling RAW files, like Apple's Aperture and Adobe's Lightroom.
Unfortunately, this effort to take the long view has its problems. The authors look at different software packages for RAW processing, and point out the most important features of each, However there is not enough depth to allow readers to make a decision as to which package is best for them. If it is impossible to provide that much information in a book of this length, I would have liked to see the authors provide their comparative conclusions as to which software was most appropriate for photographers with different goals and bents.
The same problem exists with regard to other aspects of the long view. For example the author's note that both Extensis Portfolio and Adobe Bridge have the capability of searching archived files for keywords. But they don't make any comparison that shows the advantages and disadvantages of the two. I conducted an experiment to search one thousand files for a single keyword. With Portfolio the search took less than a second. The same search with Bridge took more than five minutes. Yet, if I were working in Bridge with a small file set, it would be more convenient to search keywords with Bridge than to start Portfolio. While I don't need to see this exact comparison, I would have liked to see a more detailed comparison than was provided.
At the other end of the scale, the authors give far more detailed instruction on the use of ACR than on any other converter. Unfortunately, it's just not quite deep enough. They show you how to manipulate the controls in ACR but leave out many of the fine points. For example, most experts recommend that you not sharpen your pictures in ACR. The authors also tell you this, although they do tell you how to adjust the sharpening slider. But it's easier to use the other controls if the picture is sharpened. ACR has a facility that allows you to view your file as sharpened, without actually applying sharpening. The authors don't mention this.
If you want to learn how to use ACR, for the beginner I recommend Mikkel Aaland's "Photoshop CS2 Raw" and for the more experienced user, Rob Sheppard's "Adobe Camera Raw for Digital Photographers Only". But if you want a broad overview of the entire RAW process, with an introduction to all aspects, including software, I haven't found a book comparable to this.
Raw Workflow from Capture to Archives: A Complete Digital Photographer's Guide to Raw Imaging Overview

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